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Behringer WING

Digital Mixing Console
  • Behringer WING
  • Behringer WING
  • Behringer WING
  • Behringer WING
  • Behringer WING
  • Behringer WING
  • Behringer WING
  • Behringer WING
  • Behringer WING
  • Behringer WING
  • Behringer WING
  • Behringer WING
  • Behringer WING
  • Behringer WING
EUR 3345.00
Incl. VAT, free shipping in Germany
Due to its size or weight, this product cannot be ordered online. Please contact us.
48-Channel, 28-Bus Full Stereo Digital Mixing Console, 24-Fader Control Surface, 10" Touch Screen
Please update the firmware to the latest version.
Product Rating5.0 out of 5 | 1 review |   Write a review

Description

  • The Personal Mixing Console

    The WING control surface utilizes a large capacitive touchscreen interface with touch-sensitive rotary controls for a new ease of operation. Three separate fader sections and a Custom Controls section can be tailored easily and intuitively to meet your personal requirements. No matter if you need a specific bus send fader next to the corresponding channel fader, or a dedicated “money” channel always at your fingertip, or even sharing the surface with two engineers - WING can be configured to elevate your production to a new level. You can even replace and customize the massive wooden armrest with something funkier if you like. The technical drawing can be found in the Downloads section of the product page.

  • Why Sources?

    What is the purpose of mixing in the first place? While considering the signal path of audio production for live or studio applications, we were stunned to find that much of the terminology is still driven by historical technical implementation, rather than its actual purpose. Normally, consoles focus on input numbers assigned to channels and auxes. WING is offering a substantially different perspective by focusing on the Source as the reason for any mixing, say a bass drum signal or the lead vocal. Inputs are therefore given more properties than just a number. Sources can be in mono, stereo or mid-side mode, own headamp parameters like gain and phantom power, with specific source mute and metering. They can also be given a color, icon, name and several tags for grouping and filtering purposes. All of this describes the actual Source first, before channels are used for processing or mixing. The beauty of this is that you can label Sources using our WING Co-Pilot app while patching on stage and no matter if the signal is patched to a channel, to SD recording or to any other output, you will always see and refer to that Source.

  • Mono/Stereo

    All 48 input channels and 28 bus mixes can be used for mono, stereo or mid-side sources. Assigning a stereo source to any channel automatically renders the channel stereo, and its stereo imager stage provides control over width from 150% stereo down to mono. The console does not need a reboot to apply any mode changes. Their channel, bus and subgroup configuration can be changed any time on the fly. See why it is a WING?

  • Legacy built in every Channel

    Alternatively to the excellent WING EQs and dynamics, all channels and buses feature plug-ins for gates, compressors and equalizers, including high-end simulations modeled after the most famous hardware such as Pultec EQ, SSL Bus Compressor and Gate/Expander, SPL Transient Designer, Neve EQ, Compressor and Gate, Focusrite ISA and D3, DBX160, LA-2A, 1176, Elysia mPressor, and Empirical Labs Distressor.*

  • Evident

    WING's innovative channel editing section is designed from the ground-up for immediate channel status overview and flow of operation. It allows working on the selected channel processing even when the main display is used for something completely unrelated. Touch-sensitive rotary controls allow the most relevant information to be displayed at your fingertips.

  • Even more Custom Controls

    A central section offers user-assignable controls, i.e. 4 rotary encoders and 20 buttons with 2 LCDs. You decide whatever functions you'd like to have within your reach, always. A big rotary wheel offers fine-adjustments of up to 8 user parameters or can be used for DAW remote control via USB MIDI. The control configuration also includes pre-defined functionality for USB and SD card recorder transport, show control and mute groups.

  • Perfect Balance and Ultimate Tone Shaping

    WING Input channels feature lo-cut and hi-cut filters, tilt-EQ, all-pass or Sound Maxer, in addition to the 6-band parametric EQ. All buses, matrices and mains even feature an 8-band parametric EQ. Alternatively, WING offers 8 meticulous emulations of famous hardware equalizers for use in each and every channel, whenever you need that special vibe on your signals.

  • Premium Effects

    The WING Premium FX rack boasts 8 true-stereo processors including spectacular emulations of some of the industry's most revered reverbs, original TC VSS3 algorithms, along with Lexicon, Quantec and EMT emulations. Fantastic delays, voice doubling, chromatic pitch correction, tape saturation and there is way more to it…

  • Effects Unleashed

    Another set of 8 true-stereo processors provides a wide array of modulation, equalization, dynamics and non-linear effects, and even four iconic guitar amplifiers with cabinet simulations. If push comes to shove, a guitarist can just DI his guitar or pedals straight into the stage box, which is especially useful on quiet stages and house of worship applications.

  • Connected

    With 374 inputs and 374 outputs, a lot of digital connectivity is required. WING provides 3 AES50 SuperMAC audio networking ports for connecting digital stageboxes or sharing up to 144 input and 144 output streams with other mixing consoles. There are 48x48 channels of USB audio and another 64x64 channels of Audio over IP (AoIP module optional), plus AES/EBU stereo I/O. The WING expansion card slot, featuring the LIVE SD recording card or accommodating option cards for various standards, such as ADAT, MADI, DANTE, and WSG, offers another 64x64 channels of audio in/out. The brand new Klark Teknik StageCONNECT interface allows transmission of 32 channels 24-bit audio with sub-millisecond latency, together with control data and 18 W of power over a single standard microphone cable. Given its flexibility and ease of use, this may well become the future of XLR. We are considering opening our implementation to other developers, allowing them to create their own projects featuring StageCONNECT.

  • Pristine Springs

    While we have limited the number of local analog I/O, we have not allowed for any compromise on their quality. Behringer is proud to incorporate 8 original Midas PRO-Series microphone pre amps and 8 XLR outputs with towering audio quality for both live and studio environments. Find out more about Midas’ amazing legacy by visiting their extensive website. 8x8 TRS line auxiliary ins and outs help bring in signals from media players or computers. If that's not enough local analog I/O, the new StageCONNECT interface allows connection of breakout boxes with up to 32 channels of input and output, e.g. connecting the console to the side rack over a single XLR microphone or DMX cable.

  • Trigger

    MIDI In/Out plus additional 2x2 GPIO provide an interface for console event triggers and external show control.

Attributes

Key attributes
Mixing Desk Type Digital
Total Input Channels 48
Total Output Channels 48
Digital In/Out AES/EBU
Digital Mixing Console attributes
Analogue Inputs 8
Analogue Stereo Inputs 8
Analogue Outs 8
Interface Functionality USB Stereo
Internal Effects Processor Yes
Monitor-/Aux 8
Equalizer Type Parametric
+48V Phantom Power Yes
19" Rackmount Option No
Product Details
Product Number 211122
Brand Behringer
Category Digital Mixing Console
Brand Category Behringer - Digital Mixers
Relevancy rank 3 of 45
Date February 2020
Dimension
Weight 24kg
Gross Weight 32.4kg

Properties

8 award-winning Midas PRO mic preamps and 8 Midas PRO outputs onboard
24 motorized 100 mm faders in 3 separate, fully configurable sections
"Plug and play" remote I/O connectivity for up to 144 input and output signals over 3 AES50 ports featuring Klark Teknik’s SuperMAC technology for ultra-low jitter and latency
Large main display with capacitive touch screen and adjustable display swivel
Unique touch-sensitive channel editing section with 11 rotary controls and dedicated color TFT for staying on top of all channel properties
Optional module for 64x64 channels of audio over Ethernet – supporting WAVES SoundGrid Technology* or Dante/AES67 Technology*
48 x 48 channel USB 2.0 audio interface onboard with DAW remote control emulating HUI* and Mackie Control*
Dual-SD card live recorder/player with up to 64 tracks and markers for identifying song positions
Additional 4-channel control section with rotary controls, buttons and parameter display for permanent access to mains, matrices or "money-channels"
Premium FX rack with 8 true-stereo processors and world-class TC algorithms, Lexicon*, Quantec* and EMT* emulations


Standard FX rack with 8 true-stereo processors for a wide array of modulation, EQ, dynamics etc.
- also allows blending outboard effects to the mix
5 variable plug-in processing slots for all 40 stereo input channels, featuring the most iconic vintage analog equalizers and compressors, plus insert FX slot and 4-band parametric EQ for all 8 stereo aux channels
Custom Controls offering 16 latching or momentary buttons and 4 rotary controls, easily being configured for preferred functions
4 main, 8 matrix and 16 aux stereo buses, featuring dual inserts, 8-band parametric EQ's, stereo imager and full dynamics processing
2 Ethernet ports with integrated switch for networked remote control
Built-in expansion port for optional audio interface cards or digital networking bridges, MADI* and ADAT/WC
StageCONNECT 32-channel low-latency interface for personal monitoring or analog I/O boxes, AES/EBU stereo digital in
- and outputs on balanced XLR, 8x8 balanced TRS auxiliary line in
- and outputs, 2 TRS phones connectors, MIDI I/O and 4 GPIO ports
3-Year Warranty Program*
Designed and engineered in Germany

- Weight: 24.000kg

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Brand

Behringer was found in 1989 by a Swiss engineer Uli Behringer, the musician couldn't find the products he was looking for, so he decided to create his own. Currently, the product range includes synthesizers, mixers, audio interfaces, PA systems, amplifiers and much more. The company is recognized for offering affordable and cost-effective alternatives to many high-end audio equipment brands. This approach has made their products widely used by musicians, recording studios, live sound engineers, and music enthusiasts.
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