Small Diaphragm Microphones

Premium small-diaphragm condenser element

Clean, crisp and detailed condenser sound

Easy mic placement with locking pivoting head

Low noise and a full frequency response.

Ideal for studio recording and live on stage, the M5 is equally at home on a range of acoustic instruments, choirs, or anywhere you would employ a small diaphragm condenser microphone, either individually or as a stereo array.

The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design.

Gold sputtered 1/2" capsule, full frequency response, externally biased condenser.

Kondensatormikrofon für den Live- und Studiobereich.

Das C1000 S ist die überarbeitete Version des etablierten Vorgängermodells C 1000 S MK-III, welches bereits wegen seiner hohen Vielseitigkeit und Zuverlässigkeit sehr geschätzt wurde.

cardioid, 20...20 000 Hz

The e 914 is a high grade condenser microphone for very demanding applications. Its outstanding sound properties qualify the e 914 for highly sophisticated tasks.

2 Matched Studio Condenser Microphones

the ideal microphone for stereo recording of stringed instruments in critical situations

Its permanently polarized element offers extended frequency response with a slight rise in the high frequency range for a more detailed sound.

The world standard among small-diaphragm microphones.

In particular, the KM 184 (cardioid) has become the classic high-quality miniature microphones. Now available in attractive stereo sets. Cardioid, hypercardioid or omni is available.

The world standard among small-diaphragm microphones.

In particular, the KM 184 (cardioid) has become the classic high-quality miniature microphones. Now available in attractive stereo sets. Cardioid, hypercardioid or omni is available.

KM183, nickel (ball)

The KM 183 is a pressure transducer in a free sound field with a boost of approximately 7 dB at 10 kHz. This results in a diffuse sound field of a flat frequency response.

zusammen mit Tony Faulkner entwickelt

2 handselektierte Kondensatormikrofone

goldbedampfte 1/2“-Nierenkapseln

Type Condenser

Frequency Response 40 Hz - 20 kHz

Impedance 150 Ohms

Exzellentes Stereo-Mikrofon-Paar mit 3 Wechselkapseln.

Ideal für Recording und Live, Chorabnahme und akustische Instrumente. Sehr flexibel dank den modularen Wechselkapseln. Gematchtes Stereopaar. Inklusive jeweils 2 Kugel-, Nieren- und Hypernieren-Kapsel.

Instrument condenser microphone with cardioid polar pattern

Exzellentes Stereo-Mikrofon-Paar mit Nierencharakteristik.

Ideal für Recording und Live, Chorabnahme und akustische Instrumente. Erweiterbar durch optional erhältliche Wechselkapseln. Gematchtes Stereopaar. Inklusive 2 Nieren-Kapseln.

M 300 stereo condenser miniature microphone for XY and ORTF stereo recording

Two small condenser microphones for ORTF-stereo recordings with two microphone holders MH 64.1, spacer, and tandem TD 93 in wooden box

Modular small-diaphragm condenser microphone with hyper cardioid characteristic

Switchable 80Hz HPF and 10dB Pad (attenuator)

Modular small-diaphragm condenser microphone with cardioid characteristic.

Switchable 80Hz HPF and 10dB Pad (damping).

The sE5 Pair sets a new standard for small-diaphragm condenser microphones in its price range.

is perfect for both studio and live use on drums, pianos and virtually any acoustic stringed instrument thanks to its smooth full-range frequency response and excellent transient handling.

Cardioid condenser pencil microphone.

Built-in attentuation switch (choose 0dB or -10dB), low-cut filter (75Hz).

Matched pair of cardioid condenser mics

The Sontronics STC-1S is a stereo pair of Sontronics STC-1 cardioid pencil microphones, ideally suited to stereophonic recording, whether you're capturing a four-piece band, a choir or a full symphony orchestra.

sE5 Small Diaphragm Condenser Microphone

The sE5 is the latest and best incarnation of our sE small-diaphragm microphone series. We've listened to our users' opinions and added more of what you need, and less of what you don't!

Im Holzetui mit MH93.1, KA 4 und KA 3

Das Kondensatormikrofon M 221 vereint universelle Kleinmembran-Kapseltechnologie mit einer Metallmembran und einem modularen Vorverstärker.

Recommended for professional recording and critical applications in broadcast

This versatile microphone may be used with confidence in a wide variety of professional miking applications.

Kondensator-Stäbchenmikrofon

Nierencharakteristik (Kugel und Hyperniere optional), 75Hz/150Hz-Hochpassfilter, -10/-20dB-Padschaltung

Kondensator-Stäbchenmikrofon

Nierencharakteristik (Kugel und Hyperniere optional), 75Hz/150Hz-Hochpassfilter, -10/-20dB-Padschaltung

Omni Condenser Microphone

Condenser microphone

Condenser microphone further selection St-pair

Condenser microphone

Professional condenser microphone

Gold-sputtered diaphragms ensure maximum reliability

Every capsule is handcrafted and individually tuned in our very own factory

Proven Class-A circuitry ensures a high dynamic range without distortion and brilliant transient response

a small-diaphragm true condenser microphone offering outstanding build quality and excellent value

The lightweight diaphragm delivers outstanding clarity and transient response and conforms to the stringent standards defined for AKG recording products.

XLR cable included 15ft.

4090 Omni Mic, Hi-Sens, P48

2 Matched single diaphragm microphones condeser

Very little overhead microphone for professional demands

Miniature microphone, ideal for cymbal and overhead, phantom or battery power supply, Safe assembly with standard microphone stands

Compact 1 / 2 "Cardioid Condenser Microphone

Gold-Sputtered Diaphragm Studio Condenser Microphone

Diaphragm: Condenser (back electret type)

Freq. response: 40Hz ~20kHz

Sensitivity: -40dB (+/-3dB)

Small-diaphragm microphone with identical acoustics to legendary CK first

Acoustically identical to C 451 EB + CK 1, 0 ° linear frequency response, high signal fidelity, Transformerless output for high dynamic range and precise bass response, separate three-stage switchable attenuation pad and bass cut.

Because of its robust construction and reliability, the typical Shure SM137 will in future be an integral part of the range of each microphone Engineers On Tour.

Ultra-smooth response with slight rising on-axis frequency characteristic

High front-to-back rejection ratio

Transformerless output for low distortion at high operating levels

Full recreation of a legend.

20Hz-20kHz, CineMag USA transformer, Fairchild transistors, Wima capacitors

Kleinmembran-Kondensatormikrofon mit herausragenden Klangeigenschaften

Kleinmembran-Kondensatormikrofon mit herausragenden Klangeigenschaften

Transducer Type: Condenser, Pressure Gradient

Polar Pattern: Cardioid

Frequency Response: 20hz - 20khz

Laser-alignment sight for placement accuracy and recording recall, powered by 48V Phantom

Gold-sputtered 20mm capsule, chosen in blind tests by a panel of 50 top producers

Well-designed, re-usable and recyclable packaging

Matched Stereo pair of Small Diaphragm Condenser microphones

PCB - market-leading electronic design

Pad switch: -20dB/ -10dB/ 0dB

KM183, Stereo Set, Nickel (ball)

The KM 183 is a pressure transducer in a free sound field with a boost of approximately 7 dB at 10 kHz. This results in a diffuse sound field of a flat frequency response.

Digitale Ausgangsstufe Preset-Frequenz 48 kHz

Teil des modularen KM D-Kleinmikrophonsystems. Sie bildet zusammen mit einem Kapselkopf KK 1.. ein vollständiges Mikrophon. Ø 22 mm, Länge 93 mm.

Analoge Ausgangsstufe XLR-3

Die Kapselköpfe der KK-Serie können sowohl mit der digitalen Ausgangsstufe KM D (nx) als auch mit der analogen Ausgangsstufe KM A (nx) betrieben werden.

4091 Omni Mic, Low Sens, P48

Transformerless Small Diaphragm Mic

Übertragloses studio microphone, suitable for various optional capsules, capsule with hypercardioid ghört included, operating voltage of 48-52 V, ideal for acoustic piano, acoustic guitar, strings, orchestra and Chorau

Condenser Microphone for Instruments

Application areas - overhead Drums/Percussion- instruments, hi-hat, cymbals - Acceptance of Instrumemten acoustic (guitar, piano, saxophone, orchestra) - Acceptance of choirs, vocal groups

2006A Twin Diaphragm Omni Microphone

Modular flexibility, twin-Diaphragm-Capsule technology, acoustic authenticity, linear in a large frequency bandwidth

2006C Twin Diaphragm Omni Microphone, Compact

Modular flexibility, twin-Diaphragm-Capsule technology, acoustic authenticity, linear in a large frequency bandwidth