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Universal Audio 710 Twin-Finity Single-Channel Mic Pre

Single Channel Microphone Pre-amp
  • Universal Audio 710 Twin-Finity Single-Channel Mic Pre
  • Universal Audio 710 Twin-Finity Single-Channel Mic Pre
  • Universal Audio 710 Twin-Finity Single-Channel Mic Pre
  • Universal Audio 710 Twin-Finity Single-Channel Mic Pre
  • Universal Audio 710 Twin-Finity Single-Channel Mic Pre
  • Universal Audio 710 Twin-Finity Single-Channel Mic Pre
EUR 999.00
Incl. VAT, free shipping in Germany
710 Twin-Finity Mic Pre & DI
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Description

710 Twin-Finity he is a radically new UA pre-amp design which uniquely combines both the classic retro warmth of UA tube design and the transient bite of solid-state in a 2U, half-rack, all-metal chassis. The 710 was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps.

The key to its sonic flexibility lies in its innovative circuit design, featuring a solid-state transimpedance input amp simultaneously driving separate, phase-aligned tube and solid-state gain stages, which are then summed to a single output .. The mix between the 310 volt single-ended class-A triode tube stage and solid-state controlled transimpedance stageis via the "Blend Knob" labeled "?". Blending is continually variable between 100% tube and 100% solid-state offering a practically infinite range of unique pre-amp tones and the ability to easily dial-in your own signature sound.

Like all our other preamp designs, the 710 features dual gain-stage controls (Gain / Level) which can radically vary the amount of coloration and distortion by Allowing you to crank up the input gain like a guitar amp. The VU meter features a unique "Drive" mode Allowing you to see how hard you are driving the input stage.

Versatility makes the 710 the perfect preamp partner for any mic collection. Plus, the discrete JFET DI input circuit can so easily handle any electric instrument. Guitar and bass players will especially appreciate the 710s ability to bring out the best of both active and passive pickups. The 710 Twin-Finity is designed and built at UA headquarters in California, and includes a 19 "rack-kit for mounting one or two units.

Attributes

Product Details
Product Number 132120
Brand Universal Audio
Series Preamp
Category Single Channel Microphone Pre-amp
Brand Category Universal Audio - Single Channel Pre-Amps
Relevancy rank 10 of 45
Date March 2012
Dimension
Box Depth 595mm
Box Height 203mm
Gross Weight 4.9kg

Properties

General
Microphone inputs (XLR Female)
Balanced line (XLR Female)
Unbalanced Instrument (1 / 4 "jack) (D.I.)
Outputs Balanced Line (Male XLR)
Type

Tube & Solid-State Phase-Aligned Tone-Blending Mic Pre & DI
12AX7 Tube Complement
Pad-15dB
High Pass Filter 75Hz
Maximum Power Consumption 160mA @ 120VAC
20W
Power Requirements 100-240VAC
Dimensions 8.45W x 10.25D x 3.5h
5:25 Weight lb
Impedance
Mic Input Impedance 2K ohms
Line Input Impedance 10K ohms
Hi-Z Input Impedance 2.2M ohms
Internal Output Impedance 600 ohms
Gain / Level
Gain Range for Unit-Infinity to 70dBu
Mic Gain Pot Range 10 ~ 60 dBu
Line Gain Range -10 ~ 40 dBu Pot
Hi-Z Pot Gain Range -10 ~ 40 dBu
Maximum Gain Mic Input Level +18 dBu @ min SS
Maximum Mic Input Level Gain min @ 1% THD Tube -7 dBu +8 dBu w / pad
Maximum Line Input Level Gain @ Min SS +30
Maximum Line Input Level Gain @ Min Tube 1% THD +8 dBu
Maximum Hi-Z Input Level Gain Min SS +18
Maximum Input Level Gain Hi-Z Min Tube 1% THD +8 dBu
Maximum Output Level +18 dBu into 600 ohms
Maximum Output Level into 100k ohms +28 dBu
Tube Clipping Level Same as in Max
Solid-state clipping level Same as in Max
Frequency response
Mic Frequency Response 20Hz to 100kHz + / - 0.2 dBu
Line Frequency Response 20Hz to 100KHz + / - 0.2 dBu
Hi-Z 20Hz to 100kHz Frequency Response + / - 0.2 dBu
Distortion
Min THD + Noise @ +4 dBU 0.1% 0.005% tube solid-state

Brand

Pioneering audio recording for more than 60 years. Founded in 1958 by Bill Putnam Sr., Universal Audio has been synonymous with innovative recording products since its inception. A favorite engineer of Frank Sinatra, Nat King Cole, Ray Charles and more, the late Bill Putnam Sr. was a passionate innovator who is widely regarded as the father of modern recording — with many of his legendary studio and equipment designs still in use today. Specifically, Putnam was the inventor of the modern recording console, the multi-band audio equalizer, and the vocal booth, and he was the first engineer to use artificial reverberation in commercial recording. Alongside his friend Les Paul, Putnam was also involved in the early development of stereophonic recording. Putnam, a natural entrepreneur, started three audio product companies during his long career: Universal Audio, Studio Electronics, and UREI. All three companies built equipment that remains widely used decades after their introduction, including the ubiquitous LA-2A and 1176 compressors, and the 610 tube recording console. The 610 console in particular stands as one of the most beloved designs in audio history, used to record everyone from Sinatra to the Beach Boys to Van Halen’s eponymous debut.
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