Multi-Channel Microphone Pre-amps

• Two-channel state-of-the-art transformerless microphone preamp

• Two studio-quality instrument inputs with very high impedance

• Switchable low cut removes rumble without signal degradation

2 Channel, Class A, 1073-style British Microphone Preamp with EQ

UK made Carnhill Transformers

UK made - Blore Edwards EQ dual-concentric switch potentiometers

Ultra-low noise discrete microphone/line preamplifier with hand-selected 12AX7 tube for ultra-musical sound

Mic input stage based on discrete, conjugate transistor pair circuitry

Ultra-wide bandwidth from 10 Hz to 200 kHz for "open" sound

4 Ch.Mic. Preamp + Instr. DI

Fully discrete, transformer coupled, through-hole component topology.

Altran USA custom wound transformers

Four channel preamp with USA CineMag input and- output transformers

Designed and assembled in the USA

Bandwidth (1kHz, 150Ω unbalanced source, unweighted): 10Hz–30kHz

2-channel dynamic mic booster adds extra gain to your sound

High-quality preamps provide up to +25 dB of gain

Phantom powered with no need for external power supply

Two Channel, Class A, 1073-Style British Microphone Preamp

UK made Carnhill Transformers

Hand Wired, hand assembled

xl48

award-winning midas xl4 microphone preamplifier.

multiple sample rates

The CL-2 offers two independent channels of up to +25db of ultra-clean gain

for passive microphones, inline using phantom power.

PreAmp System with Variable Valve Voicing

Bundle consisting of Audient EVO 16 and SP8

2 channel tube preamplifier

Authentic reproduction of the most treasured tube preamplifier of the tape era

Completely discrete, hand-crafted construction with 3 tubes per channel for ultimate analogue sound

8 channel preamplifier with ADDA conversion 8 x EVO microphone preamplifier with Smartgain 2 x JFET instrument inputs

8 x Class-A Audient Console Mic Pres

2 x Retro Channels with Dual Stage COLOUR Saturation Controls - HMX & IRON

2 x Discrete JFET Instrument Inputs

Dual Channel or Linked Stereo Operation

1/4-Inch TRS Side Chain Inserts

1/4-Inch TRS And XLR Balanced Inputs

All-tube, Class-A microphone preamplifier

Proprietary AP2516 input transformer

Audio circuit uses 12AT7WC and 12BH7, dual-triode vacuum tubes

Preamp Type: Solid State

Number of Channels: 2

Phantom Power: Yes

Classic API Circuit Design

Uses API 2520 Op Amps

Variable Output Level Control

Classic API Circuit Design

Uses API 2520 Op Amps

Variable Output Level Control

USB powered, no external power supply needed when used with a computer

Balanced XLR or unbalanced 1/4-inch Instrument inputs with switchable impedance

Switchable low noise +48V phantom power

USB Connectivity to Desktop and Laptop Computers

Low Noise Fully Balanced XLR and 1/4-inch TRS Combi Inputs

Up to 48 dB of Clean Gain n Built-in Low Noise Phantom Power Supply

Four channel microphone preamplifier with USA CineMag input and output transformers

Designed and assembled in the USA

Bandwidth (1kHz, 150Ω unbalanced source, unweighted): 10Hz–30kHz

Four Channel Mic Pre

MIC GAIN - A 12-way precision rotary switch controls gain from 0 to 66 dB in 6 dB steps.

TRIM - Continuously variable +/-6 dB level control.

Twelve channel remote controllable microphone preamplifier with no-compromise A/D conversion, integrated AVB and MADI connectivity, and a multitude of features designed to make it a perfect companion for any professional recording.

4-channel microphone preamplifier.

Excellent signal-to-noise ratio, extremely low harmonic distortion and a wide gain range make the QuadMic II the first choice for outstanding studio recordings.