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Sequential Take 5

Synthesizer
  • Sequential Take 5
  • Sequential Take 5
  • Sequential Take 5
  • Sequential Take 5
  • Sequential Take 5
  • Sequential Take 5
  • Sequential Take 5
  • Sequential Take 5
  • Sequential Take 5
  • Sequential Take 5
EUR 1499.00
Incl. VAT, free shipping in Germany
Portable, Powerful, Polyphonic.

It’s the perfect gateway to subtractive synthesis and the creative power of Sequential’s best synths
Product Rating5.0 out of 5 | 1 review |   Write a review

Description

Portable, Powerful, Polyphonic

The Take 5 is Sequential’s most compact, full-featured, full-throttle VCO/VCF-based poly synth ever. It’s the perfect gateway to subtractive synthesis and the creative power of Sequential’s best synths — whether you’re new to analog synths or a space-conscious pro. And since it’s portable, you can transport it from studio to stage without breaking a sweat or leaving any features or playability behind. Genuine Sequential sound and quality at a price within your reach.

Fits Anywhere You Need It

With 44-full-size keys and a total width of just 26 inches, the Take 5 fits easily into your studio or on stage. Its nearly knob-per-function control panel gives you immediate access to all of its essential sound-shaping controls. And its ingenious key-split feature gives you access to a wider playable range than other compact synths by letting you divide the 3.5 octave keyboard into two separate performance zones.

Powerful Synthesis

The five voices of the Take 5 get their distinctive sound from a combination of two analog VCOs and a sub oscillator passing through a Prophet-5-lineage 4-pole analog filter. The result is classic Sequential — smooth, warm, punchy sound that sits perfectly in a mix and cuts through clearly on stage. For even more analog-style goodness, a Vintage knob adds voice-to-voice variation for genuine vintage character. Dual Digital effects, a dedicated overdrive, continuously variable wave shaping, and front-panel access to analog FM all ensure the Take 5 can kick out modern tone just as easily as it does vintage..

Finishing Touches

The Take 5 feature set is rounded out with two LFOs (1 global, and 1 per-voice), two ADSR+delay envelopes, extensive modulation, a 64-step polyphonic sequencer, and a multimode arpeggiator. The premium Fatar keybed makes it a pleasure to play, wherever you take it.

TAKE 5 v2.0 Update

The Take 5 v2.0 software update brings even more inspiration and creative freedom to Sequential's portable polyphonic analog synthesizer.
This free update doubles preset storage and introduces 128 brand new patches created by some of the world's leading sound designers.
The update also includes extensive new synthesis features and effects such as Envelope Repeats, LFO Slew, and a tape-emulating lo-fi effect that's bursting with character. Get Take 5 v2.0 and expand your sonic palette today!

Attributes

Key attributes
Number of Keys 49
Colour Black
Keyboard Type Aftertouch
Speakers No
Model Synthesizer
Synthesizer attributes
Battery Operated No
Pedal Not Included
MIDI Interface USB to Host
Stand Not Included
Built-in Tones Yes
Cover No
Display Yes
Unit 1 piece(s)
Product Details
Product Number 231663
Brand Sequential
Category Synthesizer
Brand Category Sequential - Synthesizers
Relevancy rank 46 of 148
Date September 2021
Dimension
Box Depth 767mm
Box Height 259mm
Gross Weight 10.5kg

Properties

- OSCILLATORS
Two analog VCOs per voice
- Continuously variable wave shape (sine, sawtooth, variable-width pulse) per oscillator
- Hard sync: oscillator 1 syncs to oscillator 2
- Square wave sub-octave generator (oscillator 1) per voice
- Keyboard tracking on/off for each oscillator
- Front-panel FM (frequency modulation)
- MIXER
Oscillator 1 amount
- Oscillator 1 sub-octave amount
- Oscillator 2 amount
- White noise/pink noise amount
- LOW-PASS FILTER
Four-pole, resonant, low-pass filter per voice, based on Prophet-5 Rev 4 design
- Filter can be driven into self-oscillation with the Resonance control
- Bi-polar filter envelope amount
- ENVELOPES
Two 5-stage envelope generators (ADSR + delay) with variable routing (filter, amplifier, auxiliary)
- Velocity modulation of each envelope amount
- Envelopes freely assignable to multiple modulation destinations
- LOW FREQUENCY OSCILLATOR
Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
- Clock sync (internal or external MIDI clock)
- Freely assignable to multiple modulation destinations
- DIGITAL EFFECTS
One dedicated reverb with damping, pre-delay, decay and tone
- One multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter
- Dedicated Overdrive effect
- VINTAGE KNOB
- Recreates the characteristics of vintage synthesizers by introducing parameter variations from voice to voice.
- AFTERTOUCH
Source: channel (mono) aftertouch with bi-polar amount
- Aftertouch freely assignable to multiple modulation destinations
- CLOCK
Master clock with tap tempo
- BPM control and display
- MIDI clock sync
- ARPEGGIATOR
Up, down, up+down, random, assign modes
- Syncs to MIDI clock
- Re-latching arpeggiation
- SEQUENCER
- Polyphonic step sequencer with up to 64 steps with ties and rests
- PERFORMANCE CONTROLS
Full-sized, semi-weighted, 3.5-octave premium Fatar keyboard with velocity and aftertouch
- Spring-loaded pitch wheel with selectable range per program with independently adjustable upper and lower pitch wheel range transpose controls
- Low-split mode creates two independent performance zones with different octave ranges
- Hold switch latches held notes on
- Polyphonic glide (portamento)
- Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes
- Factory switch: when off, the front panel is live; what you see is what you hear
- PATCH MEMORY
- 128 user and 128 factory
- IN/OUT
1 MIDI In, 1 MIDI Out, and 1 MIDI Thru port
- USB port for bidirectional MIDI communication
- 1 Sustain/footswitch input
- 1 Expression pedal input
- Main stereo output (2 x 1/4″ phone jack)
- Headphone out (stereo 1/4″ phone jack)
- POWER
IEC AC power inlet for internal power supply
- Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 14 watts maximum power consumption
- PHYSICAL SPECS
Premium, 3.5-octave, semi-weighted Fatar keyboard
- 25″ L x 12.75″ W x 4.4″ H (63.5 cm x 32.4 cm x 11.2 cm)
- Weight: 17 lbs (7.7 kg)

Specifications

- OSCILLATORS
Two analog VCOs per voice
- Continuously variable wave shape (sine, sawtooth, variable-width pulse) per oscillator
- Hard sync: oscillator 1 syncs to oscillator 2
- Square wave sub-octave generator (oscillator 1) per voice
- Keyboard tracking on/off for each oscillator
- Front-panel FM (frequency modulation)
- MIXER
Oscillator 1 amount
- Oscillator 1 sub-octave amount
- Oscillator 2 amount
- White noise/pink noise amount
- LOW-PASS FILTER
Four-pole, resonant, low-pass filter per voice, based on Prophet-5 Rev 4 design
- Filter can be driven into self-oscillation with the Resonance control
- Bi-polar filter envelope amount
- ENVELOPES
Two 5-stage envelope generators (ADSR + delay) with variable routing (filter, amplifier, auxiliary)
- Velocity modulation of each envelope amount
- Envelopes freely assignable to multiple modulation destinations
- LOW FREQUENCY OSCILLATOR
Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
- Clock sync (internal or external MIDI clock)
- Freely assignable to multiple modulation destinations
- DIGITAL EFFECTS
One dedicated reverb with damping, pre-delay, decay and tone
- One multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter
- Dedicated Overdrive effect
- VINTAGE KNOB
- Recreates the characteristics of vintage synthesizers by introducing parameter variations from voice to voice.
- AFTERTOUCH
Source: channel (mono) aftertouch with bi-polar amount
- Aftertouch freely assignable to multiple modulation destinations
- CLOCK
Master clock with tap tempo
- BPM control and display
- MIDI clock sync
- ARPEGGIATOR
Up, down, up+down, random, assign modes
- Syncs to MIDI clock
- Re-latching arpeggiation
- SEQUENCER
- Polyphonic step sequencer with up to 64 steps with ties and rests
- PERFORMANCE CONTROLS
Full-sized, semi-weighted, 3.5-octave premium Fatar keyboard with velocity and aftertouch
- Spring-loaded pitch wheel with selectable range per program with independently adjustable upper and lower pitch wheel range transpose controls
- Low-split mode creates two independent performance zones with different octave ranges
- Hold switch latches held notes on
- Polyphonic glide (portamento)
- Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes
- Factory switch: when off, the front panel is live; what you see is what you hear
- PATCH MEMORY
- 128 user and 128 factory
- IN/OUT
1 MIDI In, 1 MIDI Out, and 1 MIDI Thru port
- USB port for bidirectional MIDI communication
- 1 Sustain/footswitch input
- 1 Expression pedal input
- Main stereo output (2 x 1/4″ phone jack)
- Headphone out (stereo 1/4″ phone jack)
- POWER
IEC AC power inlet for internal power supply
- Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 14 watts maximum power consumption
- PHYSICAL SPECS
Premium, 3.5-octave, semi-weighted Fatar keyboard
- 25″ L x 12.75″ W x 4.4″ H (63.5 cm x 32.4 cm x 11.2 cm)
- Weight: 17 lbs (7.7 kg)

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Brand

Sequential is led by legendary instrument designer and Grammy-winner Dave Smith, the founder of Sequential Circuits in 1974. In 1977 Dave designed the Prophet-5, the world’s first fully-programmable polyphonic synth, and the first musical instrument with an embedded microprocessor. Sequential released many innovative instruments and drum machines over the next 10 years. Dave is known as the driving force behind the MIDI specification in 1981. It was Dave, in fact, who coined the acronym. In 1987 he was named a Fellow of the Audio Engineering Society (AES) for his continuing work in the area of music synthesis. After Sequential, Dave was President of DSD, Inc, an R&D division of Yamaha, where he worked on physical modeling synthesis and software synthesizer concepts. He then started the Korg R&D group in California, producing the Wavestation and other technology. He took over as President at Seer Systems and developed the first soft synth for Intel in 1994, followed by the first professional soft synth, Reality, released in 1997. Realizing the limitations of software, Dave returned to hardware and started Dave Smith Instruments, starting with the Evolver hybrid analog/digital synthesizer in 2002. The product lineup has grown to include the Prophet X, Prophet Rev2, Prophet-6, OB-6 (with Tom Oberheim), Pro 2, and Prophet 12 synthesizers, and the Tempest drum machine (with Roger Linn). In 2018 DSI changed its name to Sequential, bringing Dave’s legacy full-circle.
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